Category Archives: LINDY

USB, THE FOURTH

The USB standard has a long and eventful history. Now USB 4 promises to bring clarity to the specification chaos and simplify the use of cables and devices.

Since its introduction in 1996, Universal Serial Bus, or USB for short, has established itself as a universal and indispensable IT interface for all computer peripherals. Many of the previously existing peripheral interfaces have long since become history (ADB, PS/2, SCSI, LVD, IEEE 1284, etc.). Others, such as RS-232, now only have a niche existence in the industrial sector. Throughout the 23 year history of the USB interface there have been many hurdles and obstacles, but potential competitors such as Firewire, which was supposed to correct some of USB’s weaknesses, have simply been pushed out of the market by the sheer ubiquity of USB. Others, such as Thunderbolt, are now part of USB 4.

USB Success Story

The development and release of USB 1.0 was based on the idea of creating a way to connect computer peripherals using one standardized port. What today appears to be a matter of course was then a futuristic idea because of the multitude of different interfaces then in use. These were all replaced by USB. Key factors in the reason for USB’s success were new ideas such as Plug & Play, the support for hot-plugging devices, ease of use, and data transfer rates of up to 12 Mbps, which were quite high at the time.

The USB connector has changed several times over the decades.

USB technology has undergone multiple developments throughout its lifespan. Version 1.1 brought corrections to minor specification errors; In 2000, USB 2.0 increased the transfer rate to 480Mbps, USB 3.0 arrived with a 5Gbps data rate and new extended connectors. These advancements were built upon further by USB 3.1 in 2013, which has a data rate of 10Gbps, and USB 3.2 with 20Gbps at the end of 2017. This constant increase in data transfer rates has enabled potential USB competitors to be pushed out of markets, or at least kept in check, with only time-critical, niche applications using other standards.

Lightning and Thunderbolt

From 2011, however, a new system appeared on the scene: Thunderbolt. Mechanically and electrically engineered based on the DisplayPort (DP) technology standard and designed by Intel in cooperation with Apple. Thunderbolt extended DisplayPort, a pure AV interface, by adding a bidirectional data channel based on PCI Express.

Thunderbolt uses active electronics in its connectors, hiding the physical layer from the host and devices. The first two versions of Thunderbolt used a specialist DP connector, the Mini-DP connector introduced by Apple. However, Thunderbolt 3 then adopted the USB connector type C, which was introduced alongside USB 3.1. USB C can be connected regardless of orientation and was miniaturised even further.

With initial speeds double that of USB 3.0, Thunderbolt was a serious competitor to USB from the beginning. However, due to the market spread of USB and the much cheaper hardware that could be produced for this standard, Thunderbolt failed to gain any meaningful gains over USB.

Turning Two into One

At the beginning of 2019, Intel and the USB Implementers Forum (USB-IF) announced the transfer of the protocol specifications from Thunderbolt to the USB-IF. Towards the end of the 3rd quarter of 2019 the convergence was completed with the newly published standard, USB 4 (Enhanced Superspeed), which combines the best of both worlds under the guise of USB. Thunderbolt gave the new specification a maximum transmission speed of 40 Gbps – twice as fast as the USB 3.2! USB, on the other hand, contributed the tree structure of the entire system made possible using hubs, because Thunderbolt devices could previously only be connected in a chain.

The transmission speeds have massively increased over the generations.

USB has become a great deal more complex now that it must incorporate the bidirectional PCIe protocol inherited from Thunderbolt 3 in addition to the Enhanced SuperSpeed signals. It must also be able to handle the DisplayPort Alternate Mode for AV transmission, which has been possible with Thunderbolt since the beginning and with USB since version 3.1. Moreover, it must still maintain USB 2.0 protocol support for downward compatibility.

The whole and the sum of its parts

That’s a whole lot of different protocols! So that USB 4 host adapters and hubs can handle them all, they contain a USB Enhanced Superspeed host, USB 2.0 hosts or hubs, a PCIe controller or switch and a DisplayPort adapter as internal modules. The interaction between these modules is controlled and coordinated by a further internal component in each of the hosts, hubs and devices, called the router.

With USB 4, the Type C connector will become the standard.

The Type C connector has been retained from USB Version 3.1 and TB3. It was introduced in the wake of USB 3.1, but independently of it, and enables alternate mode: switching from pure USB or Thunderbolt data output to DisplayPort signals. The wire pairs intended for data transfer are then used completely or partially for the transfer of AV data. Thus, not only peripheral devices, but also monitors and projectors can be connected.

USB 4 allows a maximum of 40 Gbps as defined for TB3 specifications, but it is less binding to that specification. This means that USB 4 does not necessarily have to be fully downward compatible with Thunderbolt 3 devices. These will run on any USB 4 host, but at a reduced speed of 20 GBps. Users will need to take a close look at what’s possible when buying hardware. Whether a USB 4 host can deliver the full 40 Gbps or not will probably be a question of cost, at least for first one or two generations of host adapters available on the market.

Naming conventions simplified

The designation scheme used since USB 3.1 needs some getting used to. Before this version, the speeds were directly assigned from the USB version number (USB 2.0 with 480 Mbps, USB 3.0 with 5 Gbps), but since version 3.1 one had to take a closer look.

The symbols for USB and Thunderbolt standard

With the introduction of USB 3.1…

  • USB 3.0 with 5 Gbps was identified as USB 3.1 Gen 1 (Gen for Generation)
  • USB 3.1 with 10 Gbps was known as USB 3.1 Gen 2

With the introduction of USB 3.2…

  • USB 3.1 Gen 1 with 5 Gbps was now called USB 3.2 Gen 1 (It uses a Gen 1 wire pair with 5 Gbps)
  • USB 3.1 Gen 2 with 10 Gbps is now called USB 3.2 Gen 2 (It uses a Gen 2 wire pair with 10 Gbps)
  • USB 3.2 with 20 Gbps is called USB 3.2 Gen 2×2 (because it uses two Gen 2 wire pairs with 10 Gbps each)

You can see how this naming scheme becomes visible: each new USB version contains the previous ones and distinguishes the data rates by the corresponding ‘Gen’ version. Whether this scheme will continue with USB 4 and whether the older 3.x versions will be adapted by name is not yet clear, but the following is certain:

  • USB 4 with 40 Gbps is called USB 4 Gen 3×2 (because it uses two wire pairs of the new Gen 3 with 20 Gbps each)
  • USB 4 with 20 Gbps is called USB 4 Gen 2×2 (because it uses two pairs of wires of Gen 2 with 10 Gbps each)

Full takeover: Power Delivery

The latest version of the Standard Power Delivery, which negotiates and regulates the power supply between host, hubs and devices both under USB version 3.1 Gen 2 and higher and under Thunderbolt 3 (i.e. all versions using the type C connector), has been completely adopted in USB 4.

Profiles of voltage and current (5V/2A, 12V/1.5A, 12V/3A, 20V3A or 20V/5A) and supply direction are negotiated. All cables that can withstand more than the 1.5A provided for the profile with the lowest current load must announce this via a so-called e-mark chip so that the correct profile can be negotiated.

This makes it possible, for example, to connect a power supply unit with a USB type C plug to the PD-enabled USB port of a hub or docking station and connect it to a notebook via a single USB type C cable. With the right equipment, the peripherals are now clearer and the cable clutter on the desk is significantly reduced.

What does all this mean for the user?

USB 4 and the merger of USB with Thunderbolt are nothing more than the implementation of market requirements for higher bandwidths as well as uniform and universal standards. The implementation for the transfer of 40 Gbps and the unification of the two standards under the umbrella of USB is a decisive step.

Once USB 4 is fully established in the market, and provided that the user owns those USB devices that support full USB 4 functionality, life with USB will probably become easier. In the medium to long term, there will only be one type C connector for all peripherals. Devices with other connectors will eventually disappear or require the use of an adapter.

Until then, however, buyers are forced to keep their eyes open and take a very close look at the manufacturer’s specifications regarding the speed (Gen-Postfix for the USB version) and PD capability of the individual components of the hardware they wish to purchase.

The Author

Axel Kerber has been immersed in the IT and AV industry for over 25 years. Over the course of his career at Lindy his roles have included Technical Support Engineer, Product Manager, Head of Technical Support and now, Technical Editor. He is constantly in touch with the latest technology trends and he remains fascinated and excited by developments in connectivity in the constantly evolving AV and IT sectors.

Long Distance Signal Extension with Multiple Technologies in the Home

The modern home is becoming a technology hub with devices in constant communication across multiple rooms. Centralised signal management has become a large part of the home technology experience. As more devices are added, further away from this central location, cost-efficient and versatile extenders become necessary. This scenario explores the use of four differing extension technologies from Lindy, including powerful fibre optic extenders, to distribute signals up to 300m in residential environments.

Modern residential buildings often feature multiple displays and media sources that use a variety of media signals to transmit audio and video across longer distances as annex or out-buildings become more popular.

In this example four sources are controlled and distributed by a central matrix around a home and to an out-building. The four sources are connected via HDMI cables to a local 4×4 Matrix Pro which then outputs the four signals using different transmission methods for signal extension over a variety of distances. This matrix supports 4K 18G inputs and outputs to ensure that, if the source permits, the entire solution can utilise the full 18G bandwidth capacity of the latest HDMI standards.

In this scenario the matrix outputs to four different transmission technologies. The first, and simplest, of these is a standard local HDMI cable that is provides the 4K connection directly over short distances to a local display. Using audio extraction, the audio signal is first routed to an amplifier before the TV so that a speaker system may be used inplace of the TV’s integrated speakers.

The second output from the matrix is transmitted via an 18G active HDMI cable to a room close to the location of the matrix. The third output passes through a 100m HDMI over CATX extender system. The transmitter unit is connected to the matrix by a simple HDMI cable before the signal is sent along inexpensive CATX cable to the receiver unit which is upstairs/some  distance from the matrix. This receiver is placed close to another 4K display which the signal is finally sent to via HDMI cable.

The fourth, and final, output from the matrix is sent to an out-building, annex, pool area etc. via a fibre optic extender system that features both transmitter and receiver units. By using fibre optic cables to make this connection, large distances up to 300m can be covered using cheap, efficient and easy-to-install duplex fibre optic cabling. This method of signal transmission benefits from EMI & RF resistance so that other electrical cables or equipment located nearby don’t cause artefacts or errors in the transmission. The fibre optic connection allows IR signals to be sent to the display for remote control of the source while also delivering the full 18G bandwidth with no compression, ensuring content arrives at the display exactly how it left the source.

RELATED STORIES

The Future of Presentation & Information

The Future of Connected Home & Office

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Residential Applications

Small Office Applications

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Extenders for Connected Home & Office Solutions

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The LINDY Guide to USB 3.1

WHAT IS USB 3.1?

USB 3.1 is the new standard of USB connection technology. The USB 3.1 standard includes a  number of new features, most notably SuperSpeed+ or Gen2 data speed. SuperSpeed+ allows USB 3.1 to transfer data at a speed of 10 Gbps. This means USB 3.1 can transfer a year’s worth of music in just 10 minutes or a Full HD movie in just 30 seconds. The new standard also allows USB 3.1 to provide power delivery, alternate video mode and data transfer through a single cable.

REVERSIBLE

At the same time as the new USB 3.1 standard, the new reversible Type C connector was also developed. This connector comes with many new features, the main benefit being that it is now reversible so no matter which orientation the cable is inserted, you will always find a connection. This new technology allows a fully bi-directional cable with automatic Host and Device negotiation.USB 3.1 Type C Reversible Connector

THE DIFFERENCE BETWEEN USB-C AND USB 3.1?

USB 3.1 and USB-C, though developed concurrently, are not the same thing. USB 3.1 is an upgrade over the older USB 2.0 and USB 3.0 technology. USB 3.1 allows faster data transfer in comparison to these two previous versions. USB 3.1 is a new USB technology whilst USB-C is a connector which facilitates this technology.

USB 3.1 POWER DELIVERY

USB Type C cables support 20V 3A (60w) of power, however a new charging standard named PD (Power Delivery) has been released which can offer up to 100w (20V at 5A). New cables are required to take advantage of this technology and these use an embedded chip (e-marker) to manage power control, while still providing the SuperSpeed+ 10Gbps
data link and backwards compatibility.USB 3.1 Power Delivery

USB 3.1 Power Delivery provides different rules for supplying power. The rules are automatically recognized and negotiated between the host, cable, and device. These systems require the use of active cables to allow the devices to “communicate” which rule is suitable and protect against overload.

USB 3.1 power delivery is not only suitable for notebooks but also other professional devices with a power consumption of up to 100 watts. PD can be maintained even when the USB-C connection is being used for data transfer, video or Ethernet.

USB 3.1 ALTERNATE MODE

Provides up to 100W, 5Gbps USB data transfer rates, and the simultaneous transfer of 4K video and audio data.

By using the Type C connection USB 3.1 also allows an alternate mode for additional functionality. This allows features like DisplayPort, HDMI, MHL or Thunderbolt. Please note however that the Host and Device must both support the same alternate mode.

DisplayPort Alternate Mode supports resolutions up to Ultra HD 4K 3840 x 2160. Alongside Simultaneous 4K Video & 5Gbps transfer rates.

USB 3.1 Alternate Mode

IS USB 3.1 BACKWARDS COMPATIBLE?

USB 3.1 now supports up to 10Gbps speeds whilst remaining backwards compatible with the previous 5 Gbps (USB 3.1 Gen 1 / USB 3.0) and 480Mbps (USB 2.0) standards. USB 3.1 Gen 2 also works with existing USB 3.0 connections thanks to the improved encoding method used to transmit data.

Type C has been designed in such a way it is able to operate with legacy connections via an adapter or converter cable. However not all features are available unless you use Type C on both ends.USB 3.1 Backwards Compatibility

HOW DO I RECOGNISE A USB 3.1 CABLE?

The connector for USB-C is slightly smaller than previous USB standards and looks similar to a Micro-USB connector.

USB 3.1 Connector Types

WHERE WILL I FIND 3.1 TYPE C?

Most new mobile phones, tablets and laptops are now supplied with a Type C port whether it’s for charging or data transfer. One big advantage is that you no longer have proprietary chargers and you can use one charger for all your devices. USB Type C was originally used on Notebooks and in the tablet phone market before filtering through to more mainstream devices.

USB 3.1 Devices

IS THUNDERBOLT THE SAME AS USB 3.1?

Thunderbolt is the connection and power delivery technology used by Apple to charge and deliver data to their products such as Macbooks and iMacs. USB-C is now the connector that is used with the latest Thunderbolt 3 technology. This allows Thunderbolt and USB-C to combine for an amazing 40Gbps of bandwidth. Thunderbolt 3 also uses the Type C port, however this port also offers additional functions that require specific Thunderbolt 3 Type C cables.

Using Thunderbolt 3 a single USB-C port can deliver power in both directions. So a port can charge a device or, alternatively, be charged by one. USB-C and Thunderbolt are capable of delivering up to 100 watts of power, so a single cable can be used to connect to a dock, or display, whilst your Apple device is charged simultaneously.

USB 3.1 & Thunderbolt
DISCOVER OUR USB 3.1 RANGE…

USB 3.1 CablesUSB 3.1 Adapters

USB 3.1 HubsUSB 3.1 Docking Station

InfoComm Webinar powered by LINDY: Overcoming the Limits of HDBaseT – Lossless Compression and HDBaseT

HDBaseT is an ideal solution for simplified, high performance signal distribution while eliminating cable clutter. However, HDBaseT currently faces two limitations: the 100m maximum transmission distance and the 8Gbps bandwidth that allows resolutions of 4k 4:2:0.

Integrators are patiently awaiting the release of HDBaseT 3.0. In the meantime, two new HDBaseT advances have been made that overcome the limitations of the current HDBaseT technology. Lindy will demonstrate these advances in this webinar.

The first of these advances is the introduction of a lossless compression that supports a higher bandwidth and allows 4K 60Hz 4:4:4 video signals with very low latency. The second is HDBaseT over IP, which allows the extension of HDBaseT over 100m. Additionally this advance allows you to leverage existing pro-AV installations and interfaces to achieve cross-floor and cross-building AV sessions.

What will you learn in this webinar:
– How to overcome the current HDBaseT bandwidth limits to achieve 4K 60Hz 4:4:4 resolution.
– How to approach and integrate lossless compression in a project
– Understand whether OverIP transmission technology is suitable for your installations.

Instructor: Chris Shipley, Product Manager AV Technologies, LINDY

 

 

 

 

 

Chris has been with LINDY United Kingdom for over eight years. He is responsible for the research, evaluation and introduction of new technology products for inclusion into LINDY’s product range. He has a strong technical background, previously working as a Technical Engineer in various roles around the North East of England supporting blue chip organisations such as the BBC, Siemens and AMEC. His interests and skills span a wide range of subjects including network installation, data backup solutions, server hardware commissioning. Away from work, he has personal interests in AV installation, automotive maintenance and building / electrical work.

Register here

DEPLOYING A VIRTUAL TV STUDIO WITH A LINDY MODULAR MATRIX SYSTEM

THE PROJECT: CREATING A STATE-OF-THE-ART PRO AV INSTALLATION FOR SKY TV

The demand for professional audio video signal management solutions is increasing dramatically as complex AV installations become commonplace at events, trade fairs, conferences, airports and shopping centres. The field of broadcasting has been at the forefront of developments in AV signal management. Modern broadcast studios now use sophisticated AV technology such as video projection, 3D mapping and elaborate content management systems to create ‘virtual TV studios’ where almost anything is possible including seamless and on the fly production.

Sky’s TV Studio 6 in Milan has recently undergone an upgrade programme to include the latest in professional AV technology. The studio was equipped with this technology by the AV technology solutions company Events on Stage (EoS). The project was led by Marco Landini who was able to hand over a completely new studio with modern AV systems in just one week.

REQUIREMENTS PROFILE: HIGH PERFORMANCE, RELIABLE COMPONENTS FOR MAXIMUM FLEXIBILITY IN SIGNAL MANAGEMENT

The new studio was designed to be enclosed on three sides by 50m projection screens to provide a dynamic and interactive background for different programs. To ensure uniform and continuous projection, six projectors were used and the Dataton Watchout presentation system was selected and installed on 10 media servers to provide multi-display projections.

“Because of the challenges of working within the TV environment, and the complexity of the installation, it was vital that the solution would be 100% reliable and without any failures. All devices were chosen from a narrow range of specialist manufacturers with a reputation for high quality, reliable solutions and excellent customer service” explains Landini. “Lindy’s modular matrix solution was chosen because of its flexibility and reliability, allowing users to combine the input and output of HDMI, DVI, VGA, or HDBaseT signals to Ultra HD resolution displays.”

SOLUTION: POWERFUL, VERSATILE & COST-EFFECTIVE AV SOLUTIONS

The heart of the AV system is the 32 x 32 Modular Matrix from Lindy. This modular matrix solution makes it possible to combine different signal sources and distribute them to each display device. Built-in redundancy provides the highest possible reliability in the event of any unexpected failures, both in the matrix itself and in the inputs and outputs to the sources and projectors.
The new studio also uses two mapping projectors from Panasonic that were installed perpendicular to the floor and are used for projections on horizontal surfaces such as consoles. The projectors function interactively by using capacitive sensor systems that are connected to the transmission software.
Everything within the installation is controlled by software from EoS, which allows the end user to monitor the condition of each device in real time. To compliment this software a closed system of Panasonic HD cameras allow images to be monitored from the production control room.
“The versatility of such a studio not only increases the flexibility in practical use, but also reduces the production costs as stage designs and background scenery become unnecessary to construct and store” explains Landini.

tv-studio-matrix-diagram

INSTALLED DEVICES

– 1 x Lindy Modular AV Matrix 32×32
– 2 x 24 Port Gigabit Switch
– 4 x Lindy HDBaseT Extender
– 2 x Lindy RS232/CAT5 Extender
– 6 x Video Projectors RLMW14
– 2 x Video Projectors PTDZ12000 to projection to the floor/ pult
– 1 x Projection Screen 50 x 5,5m
– Fiber Optic Cabling
– Fiber Optic DVI Extender
– 10 x Watchout Medienserver 6 IN HDSDI / 4 OUT DVI
– 2 x Watchout Producer
– 1 x 40” Monitor 4K for Watchout Producer
– 2 x Audio Interfaces
– 3 x 23” Full HD Monitors
– 2 x Full HD Security Cameras
– 2 x Capacitive Sensor Systems (owned resource)
– 2 x Watchout System Interfaces (owned resource)

ISE 2017- LINDY Round Up

LINDY-ISE-1The biggest yearly event in the AV industry calendar, Integrated Services Europe took place in Amsterdam last week (7-10th Feb). Every day was showtime at ISE 2017, and our team were based at stand 8-H310, where they explained and demonstrated cutting edge connectivity & advanced AV solutions.

LINDY’s extensive program of presentations, lectures and case studies were exceptionally well received and well attended, with the UK’s Chris Shipley and LINDY Germany’s Axel Kerber demonstrating distribution technologies, HDBaseT and long distance connectivity solutions on a daily basis.

LINDY-ISE-2LINDY’s main product focus this year was long distance extender solutions and our Modular Matrix Systems. Both ranges generated a lot of interest and as always, our expert staff were on hand to answer any queries in any language!

LINDY-ISE-3Our ever popular Apertivo Italiano is becoming somewhat of a yearly ‘Must Visit’ for some attendees. Our visitors enjoyed 20 month matured Grana Padano cheese, San Daniele ham and Milano Salami as they relaxed with a glass of wine at the end of the day – just perfect!

LINDY-ISE-4ISE is also the perfect base for ‘networking’ and our stand attracted many visitors from every continent. All were given an amazing LINDY welcome by our hardworking teams who offered connectivity advice and technical assistance, along with an almost never ending flow of refreshments and good cheer!

LINDY-ISE-6We thought this years event was fantastic – one of the best yet and we would like to thank those of you that visited us and were part of our ISE 2017 experience!
We look forward to seeing you in Amsterdam in 2018 for yet another amazing event.

IEC Connector & Cable Guide

We often find that people are unsure of the difference between mains power cables, or what the IEC standards are. Put simply, the standards define the mechanical, electrical and thermal requirements and safety goals of power couplers.

IEC Cables

There are 12 IEC connectors by shape; each has a different name for the Male or Female side. For example C7 is male and C8 is female, but both have the same shape connector.

Below you can find a list of the IEC connectors we supply, and a diagram of each.

C5 / C6
C5-C6
Widely used for laptop power supplies, also known as the “Mickey Mouse” or “Cloverleaf” connector. View the range of LINDY C5/C6 IEC mains cables by clicking here

C7 / C8
C7-C8
Also known as the “Figure-8” or “Shotgun” connector, very widely used on an array of devices such as TVs, Bluray players, and laptop chargers. This is polarised. There is an un-polarised version of the C7 that has a flat edge on one side of the figure-8 shape. View the range of LINDY C7/C8 IEC mains cables by clicking here

C13 / C14
C13-C14
Very widely used for computers, monitors and older laptop power supplies. View the range of LINDY C13/C14 IEC mains cables by clicking here

C15 / C16
C15-C16
Similar to the C13 but with a much higher temperature rating, this is usually used for a kitchen appliances, and is known as a “Kettle” lead. This is a “hot condition” cable which means it is rated to withstand higher temperatures. View the range of LINDY C15/C16 IEC mains cables by clicking here

C19 / C20
C19-C20
A high amp rated connector usually used in high-power situations such as on workstations or servers. View the range of LINDY C19/C20 IEC mains cables by clicking here

High Quality Audio From Your Android Smartphone

High resolution audio is starting to gain popularity among many music listeners with more services online providing streaming of FLAC or Lossless audio formats. While this is great for computer systems where you can easily install a high quality sound card, there is a lack of products available for those who want to listen on the move.

A lot of Android smartphones have a 3.5mm audio jack built in for playback to headphones. While this is standard to almost all phones and widely used, it does not always provide the best audio experience and can sometimes seem a bit lack lustre. Lower end phones may seem like they do not have enough power behind the music, making it sound flat or tinny.

A cheap and easy solution to this is to connect our USB Digital to Analogue Converter (DAC) with built in Headphone Amplifier to your phone using a USB 2.0 Type A to B cable, and a simple USB Micro-B On-The-Go Adapter.

The DAC supports up 24-bit 96Khz which is above CD or even Studio Quality audio.
This allows your phone to play high quality audio while still being portable and gives you much finer volume control.

Please note: Android phones running version 5.0 “Lollipop” or above will natively support audio over the USB port providing the phone has USB On-The-Go and the manufacturer of the device has enabled the feature. High quality formats such as Apple Lossless or FLAC may only be played providing they are supported by your music player software.

The Difference Between Audio Extractors and ARC Extractors Explained

We often find that there is some confusion between what an HDMI Audio Extractor or De-Embedder is capable of, and what ARC is used for with HDMI equipment. In this blog we will be discussing the differences in function for the linked products below, and where they would generally be used.

38068 – HDMI 4K ARC Extractor with HDMI Pass-Through & CEC Emulation
38097 – HDMI 4K Audio Extractor De-Embedder with ARC & MHL

Within the HDMI standard there is an optional feature known as the Audio Return Channel, which is usually referred to as ‘ARC’. Television manufacturers will often implement this into their products in place of a headphone, optical SPDIF or digital coaxial port, this however limits what type of speakers a user can then connect.
The aim of ARC is to reduce the number of cables between a TV and AV receiver or speaker system; this is not always suitable for older equipment which may not natively support ARC. It is in this scenario where you would use our Part No. 38068, designed for ARC enabled TVs and is perfect for sending the audio from your TVs inbuilt tuner or apps such as Netflix to Optical sound bars or AV systems.
Using an HDMI cable from the HDMI ARC port on your TV to the HDMI OUT port on the 38068, this product will allow an audio signal to travel from your TV back down the HDMI cable to the ARC extractor where it will be sent out to the Optical SPDIF OUT port. Our extractor also has the additional feature of HDMI Pass-Through; this means you can still connect a source device such as a Blu-ray player or Foxtel box, without losing one of the HDMI ports on your TV. When ARC is disabled using the button on the unit, audio can travel from your source device, through the extractor to your TV as normal.

Below is a diagram showing a typical set-up with our 38068 HDMI Arc Extractor:

38068-Diagram

When you have a source device such as a bluray player or sky box, and want to send the audio from these devices to your sound bar, headphones or AV system, we would recommend an Audio Extractor. Rather than taking the sound from your TVs ARC HDMI port, it will take the audio from any HDMI source. This audio is duplicated and can then be sent out to either RCA, headphones/speakers, or to a sound bar / AV system using Optical SPDIF. The video will then carry on to your TV as normal. Should your phone support it, our 38097 Audio Extractor also has the additional function of MHL, allowing you to mirror your phone screen onto your TV. The unit also supports ARC, and works in a similar way to the 38068 but with the added benefit of extracting audio directly from the source as well as from the ARC enabled TV.

Below is a diagram showing a typical set-up with our 38097 HDMI Audio Extractor:

38097-Diagram

Introducing LINDY BNX-60 Bluetooth Wireless Active Noise Cancelling Headphones

LINDY’s latest headphones are the BNX-60 Bluetooth Wireless Active Noise Cancelling Headphones .
Combining solid performance with a stylish appearance and great portability, they are set to make big waves in the headphone market during 2016.

BNX60_CaseWP

40mm neodymium magnet high output drivers combined with aptX® codec technology give perfect sound reproduction with a warm bass and well rounded highs.
Coupled with Active Noise Cancellation technology that eliminates up to 85% reduction of external noise, these features give the listener high quality sound every time.

In terms of portability, BNX-60 are ideal for travellers and commuters.

incaseWP

Their extra hard wearing slimline case is ideal for slipping into hand luggage or a small carry bag, giving you peace of mind and keeping your headphones in pristine condition.
In addition, they are supplied with a dual-plug flight adapter that is compatible the majority of global airlines.

bnxWP

The battery gives up to 30 hours (noise cancelling only) from a 3 hour charge and the supplied USB charging cable gives you the option to recharge virtually anywhere.
The initial reaction from leading headphone reviewers has been positive, with great feedback on the sound quality, comfort, weight and durable storage case.
Expect to hear more about them in the coming months.